A confident, dramatic record defined by an acute sense of physicality and place, Jon Hopkins’ 2013 album Immunity felt and still feels, like the accompaniment to a journey of creativity, a trip inside Hopkins’ mind. It brought together everything he had learnt and experienced already but also paved the way for the evolution of his future records, most recently, 2021’s Music For Psychedelic Therapy.
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Immunity was a turning point in Hopkins’ career. Previously, he had been an elusive character, known to most as an expert producer, Ivor Novello-nominated composer of film scores, remixer and long-term collaborator of Brian Eno and Coldplay. On its release in 2013, Immunity announced itself as a powerful, multi-faceted beast, packed with the most aggressively dancefloor-focused music Hopkins had ever made. However, Immunity was never just about the techno behemoths - of which there were several. Hopkins wanted the album to help people to reach different states of mind. From graceful and mournful piano notes, stirring choral drones, he was always seeking new melodic routes to aid this. His tendency to use physical, real-world sounds as the basis for many of the album’s rhythms allowed him to craft one of the most human electronic albums of the decade.
