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Boasting biting lyricism, powerful riffage and pounding drums, the track has been rapturously received by fans and we're here proud to present it on 7\" in a full colour sleeve.\u003c\/p\u003e\n\u003cp\u003eThe single is backed by Song Of The Year; a frenetic dose of punk, the track was written (and sung) by Gurus guitarist Brad Shepherd and was one of the alternative tracks from the US. version of Hoodoo Gurus' 2004 \u003cem\u003eMach Schau\u003c\/em\u003e album.\u003c\/p\u003e","brand":"Hoodoo Gurus","offers":[{"title":"Default Title","offer_id":37427429539993,"sku":"BTSP01","price":11.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/hoodoo-gurus-answered-prayers-7inch.jpg?v=1607488007"},{"product_id":"the-presets-apocalypso-limited-edition-orange-2lp","title":"Apocalypso (Limited Edition Orange 2LP)","description":"\u003cdiv class=\"tab-panel r-tabs-panel r-tabs-state-active\" id=\"tab-descriptions\"\u003e\n\u003cdiv class=\"descriptions\"\u003e\n\u003cdiv id=\"wc-power-page\"\u003e\n\u003cdiv class=\"tab-panel r-tabs-panel r-tabs-state-active\" id=\"tab-descriptions\"\u003e\n\u003cdiv class=\"descriptions\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cp\u003e\u003cem\u003eApocalypso\u003c\/em\u003e, the 2nd studio \u0026amp; ARIA #1 album from The Presets features the hit singles \"My People\", \"This Boy's In Love\" \u0026amp; \"Talk Like That\".\u003c\/p\u003e\n\u003cp\u003eIn 2008, the album won Best Dance release and best album at the ARIA awards, the first dance album to win 'album of the year'.\u003c\/p\u003e\n\u003cp\u003eThe album has been lovingly remastered and reissued on heavyweight 2LP gatefold orange vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Presets","offers":[{"title":"Default Title","offer_id":37427429572761,"sku":"6788641","price":64.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/the-presets-apocalypso-limited-edition-orange-2lp.jpg?v=1608005511"},{"product_id":"the-presets-beams-milky-clear-lp","title":"Beams (Milky Clear LP)","description":"\u003cdiv id=\"tab-descriptions\" class=\"tab-panel r-tabs-panel r-tabs-state-active\"\u003e\n\u003cdiv class=\"descriptions\"\u003e\n\u003cdiv id=\"wc-power-page\"\u003e\n\u003cdiv id=\"tab-descriptions\" class=\"tab-panel r-tabs-panel r-tabs-state-active\"\u003e\n\u003cdiv class=\"descriptions\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cp\u003eIf you could imagine a yearbook for 2005's School of Rock, The Presets would stand out like a jet black ink blot on the page: defying categorization in their recorded work, exceeding expectations above and beyond in sweat-drenched live shows that leave the competition for dead, releasing videos and artwork as beautiful as they are twisted.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThey would be crowned the official class odd bods. And they like it that way.\u003c\/p\u003e\n\u003cp\u003eJulian Hamilton and Kim Moyes share a skewed, singular vision that reassembles pop music into a streamlined, sexy, scary creature, lurking in a corner entirely of its own.\u003c\/p\u003e\n\u003cp\u003eWelcome to the world of \u003cem\u003eBeams\u003c\/em\u003e, debut long-player from The Presets. It's where the wild things are.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReissued on limited edition 'milky white' vinyl.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Presets","offers":[{"title":"Default Title","offer_id":37427430097049,"sku":"6788640","price":29.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/the-presets-beams-milky-clear-lp.jpg?v=1607512311"},{"product_id":"australian-crawl-between-a-rock-and-a-hard-place-lp","title":"Between A Rock And A Hard Place (LP)","description":"\u003cp\u003e38 years after their formation Australian Crawl are proud to announce the release of their recorded works on vinyl!\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eBoasting 7 top 40 singles and 6 Top 10 albums across their career - all four studio albums, two live albums and the \u003cem\u003eSemantics\u003c\/em\u003e LP are now available on the 180gm black stuff. Semantics marks the first time the album has been officially released in Australia.\u003c\/p\u003e\n\u003cp\u003eFans will be familiar with the \u003cem\u003eSemantics \u003c\/em\u003eEP\u003cem\u003e \u003c\/em\u003ereleased in 1983. The single from it, \u003cem\u003e\"\u003c\/em\u003eReckless (Don't Be So)\u003cem\u003e\"\u003c\/em\u003e topped the Australian chart in November 1983. Other tracks from the EP were \u003cem\u003e\"\u003c\/em\u003eThe Night,\" \"White Limbo\" and \"Looking For Cool.\u003cem\u003e\"\u003c\/em\u003e Not long after the release of the EP, Australian Crawl were signed to Geffen Records for the United States.\u003c\/p\u003e\n\u003cp\u003eThe\u003cem\u003e Semantics\u003c\/em\u003e release was repackaged for the US market, with the original four tracks from the EP, but augmented with six newly recorded versions of the songs from the band's earlier albums. \u003cem\u003e\"\u003c\/em\u003eThe Boys Light Up\" and \"Indisposed\" are re-recorded versions of tracks from their debut album \u003cem\u003eThe Boys Light Up\u003c\/em\u003e (1980), while \"Errol,\" \"Lakeside,\" \"Things Don't Seem\" and \"Unpublished Critics\" are re-recorded versions of tracks from their second album \u003cem\u003eSirocco\u003c\/em\u003e (1981).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBetween A Rock \u0026amp; A Hard Place:\u003c\/em\u003e The final Australian Crawl studio album, issued in 1985 – the album debuted at #11, featuring the singles \u003cem\u003e\"\u003c\/em\u003eTrouble Spot Rock\" and \"Two Can Play\".\u003c\/p\u003e\n\u003cp\u003eEach album preserves the original packaging format of their original issue and is pressed on 180gm vinyl, mastered for the format by Don Bartley for Benchmark Mastering.\u003c\/p\u003e","brand":"Australian Crawl","offers":[{"title":"Default Title","offer_id":37427432063129,"sku":"4785641","price":34.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/327167-Product-0-I_1000x1000_5824f4f7-fab4-4286-8b96-69aac9e9455f.jpg?v=1637639956"},{"product_id":"cold-chisel-blood-moon-orange-lp","title":"Blood Moon (Orange LP)","description":"\u003cp\u003e\"Getting The Band Back Together\" is the first single from Cold Chisel’s album \u003cem\u003eBlood Moon\u003c\/em\u003e released on Friday, 6 December 2019.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e“\"Getting The Band Back Together\" seemed like the right sentiment to accompany the tour but the album itself has a lot of songs that are darker than that, and a few quieter ones too,” said Don Walker. “It’s great to still be making new music and finding new ways to do it after all these years.”\u003c\/p\u003e","brand":"Cold Chisel","offers":[{"title":"Default Title","offer_id":37427432128665,"sku":"CC018LP","price":44.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/cold-chisel-blood-moon-orange-lp.jpg?v=1607512576"},{"product_id":"the-presets-blow-up-limited-edition-ep","title":"Blow Up (Limited Edition EP)","description":"\u003cdiv class=\"tab-panel r-tabs-panel r-tabs-state-active\" id=\"tab-descriptions\"\u003e\n\u003cdiv class=\"descriptions\"\u003e\n\u003cdiv id=\"wc-power-page\"\u003e\n\u003cdiv class=\"tab-panel r-tabs-panel r-tabs-state-active\" id=\"tab-descriptions\"\u003e\n\u003cdiv class=\"descriptions\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv id=\"full-text\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cdiv class=\"product-highlights\"\u003e\n\u003cp id=\"full-text\"\u003e\u003cem\u003e Blow Up\u003c\/em\u003e \u003cem\u003eEP\u003c\/em\u003e was the very first record from Australian dance legends The Presets, and now - for the first time ever - it's being released on vinyl! Debuting in 2003, the entire 7-track EP was written, recorded, produced, mixed and engineered by Kim and Jules themselves, except for a few lyrics from Silverchair frontman Daniel Johns. Available only in this limited run, \u003cem\u003eBlow Up EP\u003c\/em\u003e is the amuse-bouche to Australian dance music's most iconic catalogue.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Presets","offers":[{"title":"Default Title","offer_id":37427432194201,"sku":"7759395","price":27.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/the-presets-blow-up-limited-edition-ep.jpg?v=1607512623"},{"product_id":"various-artists-cannot-buy-my-soul-the-songs-of-kev-carmody-2020-edition-2lp","title":"Cannot Buy My Soul: The Songs of Kev Carmody - 2020 Edition (2LP)","description":"\u003cp class=\"Default\"\u003e\u003cspan lang=\"EN-US\"\u003eEMI Recorded Music Australia announces the re-release of the seminal Kev Carmody tribute album \u003cem\u003eCannot Buy My Soul\u003c\/em\u003e. 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Whether they're fiction or not - his lyrical storytelling whisks the us away and drops us dead centre into the middle of his spiels.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eExamples of Kelly's best work on this album include \"I Can't Believe We Were Married,\" a tune about a marriage that fell apart where both parties were relieved, and \"Sydney from a 747,\" centered around the theme of spontaneity and how nice it would be to just pick up and leave. The jewel in the crown is of course \"From Little Things Big Things Grow\". 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This 2019 pressing was mastered for vinyl by Don Bartley at Benchmark and is presented on 180 gram yellow vinyl and featured the full intended cover for the album; the original CD edition included only a quarter of the full cover, created by James Bellesini for Love Police.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e‘The recording of the LP \u003cem\u003eConvicts\u003c\/em\u003e found our band at an odd juncture. The 8th such juncture of the 19 we’ve found ourselves at. So far. And whaddya do when you find yerselves at a juncture? You hitch yerself to the fastest hunk o’ junk outta there. Stuck ourselves in a room and wrestled with some toons like kids on detention at the Potter’s Wheel.  We listened back lately; we like it. 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Driving to a friend’s funeral last year and discussing the songs we’d played at other such occasions, separately and together, finally gave us our frame. Songs mostly written by others – Cole Porter, Townes Van Zandt, Leonard Cohen, Hank Williams, Lennon\/McCartney – and some traditional.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe enlisted J Walker with whom I’d worked with previously on Spring and Fall to engineer and co-produce the recording, taking over Charlie’s house at Arthurs Seat for a week at the end of February. We kept the sound live and sparse, just the two of us, except for the occasional vocal by family members – my sister Mary Jo and my daughters Maddy and Memphis. I stuck to singing and playing acoustic guitar. Charlie was the swing man, playing dobro, lap steel, electric guitar, synthesizer and piano. 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Recently, I was asked to curate a series of concerts at the UKARIA Cultural Centre in Mt Barker, SA, in which I work in duo settings with various singers. I asked Paul and he agreed. It was apparent from the outset that the music was clicking, so Paul proposed that we record it. The recording took place at Monash Uni Clayton Campus late in 2019 in a beautiful room that I had a hand in designing, called the David Li Sound Gallery. We were there for three days; it was all very relaxed. All of the songs were already part of Paul’s extensive catalogue. I transcribed them, and adapted them for the piano\/voice combination. In addition, I threw in a ballad by Cole Porter called ‘Every Time We Say Goodbye’, which Paul delivers in an understated, sensitive way. The album has a classic ‘fireside’ feel, influenced by the Frank Sinatra\/Nelson Riddle collaborations (particularly ‘In the Wee Small Hours’) and the Tony Bennett\/ Bill Evans recordings (particular favourites of mine). The performances are intimate, and shine a light on lyrical moments from the Kelly oeuvre. Paul is a generous collaborator, always listening closely to what I am doing, and giving me the freedom to bring my own interpretation to the songs. I think people will hear, and hopefully enjoy, the deep communication that we are bringing to the performances.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Note From PAUL KELLY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:''docs-Calibri'';font-style:italic;text-decoration-skip-ink:none;\"\u003ePaul G didn’t mention that we had worked together once before our Meet Me In the Middle of the Air collaboration. Sometime in the early nineties I was booked to perform my song Winter Coat on the Steve Vizard show. Paul was the musical director and had done a beautiful string arrangement which we ran through with the players – mostly young music students - at the sound check in the afternoon. It was all sounding really good. Come the performance, though, one of the violinists came in a bar early (or a bar late, I don’t remember which) and, doggedly fixed on the music in front of him, failed to adjust and so played the music one bar out all the way to the end of the song. I remember thinking ,“We can’t stop this, we’re live on national TV, so I’ll just keep singing. Surely, he’ll realize he’s out and stop and pick it up again in the right spot!” That didn’t happen, though, and a strange dissonance rang out all around the country. Weirdly, it kind of worked. The off-kilterness seemed to go with the lyrics. And, who knows, perhaps there are composers out there today who have been exploring experimental harmonic paths ever since. So, of course, Winter Coat was the first song on my list when we started discussing titles for this record. We served it up straight this time but that first performance together, in a way, set a template for our collaborations since. The reason I love working with Paul is that he always surprises me. He’s endlessly fertile, turning my songs inside out and upside down (to quote Diana Ross) and finding things in them I didn’t know were there. And that makes me sing them differently. Singing with Paul is like walking a tightrope. It’s as if we are acrobats together. We have to pay serious attention to one another to pull the songs off. I like that. As Paul mentioned, all the songs except one were written by me over many years. The most recent one, True To You, opens the album with a little nod to the Gershwin Brothers and it’s the only song that hasn’t appeared in another form on a previous record. We chose the other songs with a mind to their suitability for direct address, close, concentrated performance and room for silence to draw the listener in. So, light the fire, make a hearty one-pot meal for the one you love, open a bottle of wine and get comfortable. Now drop the needle and turn up the stereo. 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Carver had died in August 1988. Kelly went on to co-write the score for the 2006 Australian film Jindabyne, which was also based on the same story. The entire album was recorded in the U.S. with producer Scott Litt, best known for his work with R.E.M.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe album peaked at #10 on the ARIA album charts and boasted the singles, \"Sweet Guy\", \"Careless\" and \"Most Wanted Man in the World\". 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This will also be the first time that the 4 additional tracks (\"Juliet\", \"Never Before\", \"Ita\" and \"Merry-Go-Round\") from the 2011 Collector's Edition CD have been pressed on vinyl.\u003c\/p\u003e\n\u003cdiv class=\"tracklist-group\"\u003e\n\u003cdiv class=\"tracklist-group\"\u003eMORE INFORMATION\u003c\/div\u003e\n\u003cdiv class=\"tracklist-group\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-group\"\u003e\n\u003cem\u003eSwingshift\u003c\/em\u003e was Cold Chisel's first #1 record and is often cited as one of the definitive Australian live albums. The recordings were captured in the winter of 1980 at two iconic venues - Sydney's Capitol Theatre (supported by INXS and Mental As Anything) and Melbourne's Palais Theatre (supported by Australian Crawl and Matt Finish) -  as the band wrapped up their triumphant ‘Youth In Asia' tour.\u003c\/div\u003e\n\u003cp\u003eThat huge run of dates in support of their breakthrough album East involved 64 shows in 88 days and catapulted Cold Chisel to the biggest band in the land.\u003c\/p\u003e\n\u003cp\u003eA review by RAM Magazine's Greg Taylor a few days after the Capitol Theatre gig gushed:  \"Talk about rare moments of joy with the right crowd. By their own admission and the audience's this was one of Cold Chisel's best nights on the current tour. A long set that started way up and miraculously kept on building. Part of it was the skillful addition of outside elements; the guest solo's from David Blight's harmonica and Billy Roger's sax, but the heart of it was the band. Five parts of one incredibly fit musical body, tour hardened and album confident.\"\u003c\/p\u003e\n\u003cp\u003eIn addition to an already long list of their own classics like \"Khe Sanh\", \"Breakfast At Sweethearts\", \"Choir Girl\" and \"Cheap Wine\", Swingshift is memorable for the band's searing covers of Bob Dylan's \"Knocking' On Heaven's Door\", Creedence Clearwater Revival's \"Long As I Can See The Light\" and the Jesse Stone (via Jerry Lee Lewis) rockabilly gem \"Don't Let Go\", which has gone on to become a staple of Cold Chisel tours ever since.\u003c\/p\u003e\n\u003cp\u003eCritics and fans alike have long hailed \u003cem\u003eSwingshift\u003c\/em\u003e as a landmark album. Now it is finally being returned to its original vinyl glory (with additional tracks from the same shows).  Jimmy Barnes' parting words during the album's closing song really say it all: \"fuckin' classic\".\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cold Chisel","offers":[{"title":"Default Title","offer_id":37427445989529,"sku":"CC004LP","price":43.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/cold-chisel-swingshift-2lp.jpg?v=1608179816"},{"product_id":"australian-crawl-the-album-collection-7-vinyl-box-set","title":"The Album Collection (7 Album Vinyl Box Set)","description":"\u003cp\u003e38 years after their formation AUSTRALIAN CRAWL were proud to announce the release of their recorded works on vinyl in October as \u003cem\u003eAustralian Crawl – The Album Collection\u003c\/em\u003e. Boasting 7 top 40 singles and 6 Top 10 albums across their career – this new collection compiles all four studio albums, two live albums and the \u003cem\u003eSemantics LP\u003c\/em\u003e together on 180gram for the first time.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eFans will be familiar with the Semantics EP released in 1983. The single from it, Reckless (Don’t Be So) topped the Australian chart in November 1983. Other tracks from the EP were The Night, White Limbo and Looking For Cool. Not long after the release of the EP, Australian Crawl were signed to Geffen Records for the United States. The Semantics release was repackaged for the US market, with the original four tracks from the EP, but augmented with six newly recorded versions of the songs from the band`s earlier albums. \"The Boys Light Up\" and \"Indisposed\" are re-recorded versions of tracks from their debut album The Boys Light Up (1980), while Errol, Lakeside, Things Don`t Seem and Unpublished Critics are re-recorded versions of tracks from their second album Sirocco (1981).\u003c\/p\u003e\n\u003cp\u003e‘The Album Collection’ vinyl box set also includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Boys Light Up:\u003c\/strong\u003e Th tion of over 4x platinum; ‘buoyed’ by the singles Beautiful People, Downhearted and the title track.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSirocco:\u003c\/strong\u003e Released in 1981, Sirocco spent six weeks at #1. It was the second highest selling album in Australia in 1981, occupying over 8 Months in the Top 20 chart, boasting the singles Oh No Not You Again, Things Don’t Seem and Errol.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSons Of Beaches:\u003c\/strong\u003e Released in 1982 again hit #1 on release and stayed there for 5 weeks. Singles from Sons Of Beaches included Daughters Of The Northern Coast, Shut Down and Runaway Girls. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhalanx:\u003c\/strong\u003e This live album was released in December 1983, gathered from performances at the legendary Bombay Rock venue on the Gold Coast and Sydney Entertainment Centre on the Semantics tour. It hit #4 on the album chart.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBetween A Rock \u0026amp; A Hard Place:\u003c\/strong\u003e The final Australian Crawl studio album, issued in 1985 – the album debuted at #11, featuring the singles Trouble Spot Rock and Two Can Play.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Final Wave:\u003c\/strong\u003e Recorded Live in Melbourne the day after Australia Day 1986, the 14 track album committed to tape forever what would be their final Melbourne show and perfectly encapsulated the energy and joy the band so perfectly displayed. Upon release, the album debuted at #16 on the Australian chart.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEach album preserves the original packaging format of their original issue and is pressed on 180gram vinyl, mastered for the format by Don Bartley for Benchmark Mastering. \u003c\/p\u003e\n\u003cp\u003eThe release of Australian Crawl ‘The Album Collection’ vinyl box set, also coincides with the news ‘The Greatest Hits’ has achieved Gold sales – for sales in excess of 35,000 copies.\u003c\/p\u003e","brand":"Australian Crawl","offers":[{"title":"Default Title","offer_id":37427446218905,"sku":"5709642","price":195.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/7702\/3897\/products\/australian-crawl-the-album-collection-7-vinyl-box-set-1.jpg?v=1607470494"}],"url":"https:\/\/thesoundofvinyl.com.au\/collections\/homegrown-vinyl.oembed?page=3","provider":"The Sound of Vinyl AU","version":"1.0","type":"link"}